Exploring the World and Words of R. O. Kwon

I first encountered R. O. Kwon on Twitter during a time of rising anti-Asian violence in March 2021. Her poignant essay in Vanity Fair, a letter to Asian women following a tragic shooting in Atlanta, resonated deeply with me. Her words offered solace amidst the pain, highlighting the strength found in community. This led me to her debut novel, The Incendiaries, which explores the gripping tale of a college student entangled in a religious cult. Kwon's essays are a reflection of cultural and political moments, infused with personal vulnerability as she tackles themes like faith, anxiety, and identity.

Kwon's writing is driven by a need to articulate fears, a sentiment she captures by saying, 'I have to put in words that which I’m afraid of saying.' Her second novel, Exhibit, delves into themes of desire and shame, showcasing her fearless exploration of complex emotions. Beyond her novels, Kwon co-founded The Ministry of Words, a collective offering writing workshops, emphasizing her commitment to nurturing literary talent.

In a personal interview, Kwon shares insights into her life and creative process. Born in Seoul and raised in Los Angeles, she finds a sense of home in various cities like San Francisco and New York. Her journey from devout Christianity to losing faith has profoundly shaped her. She thrives in the quiet of the night, often writing until dawn, and finds inspiration in movement, whether through dance or bouldering.

Kwon's creative process is deeply intertwined with her environment. She writes in bed, a place of safety, and maintains a minimalist workspace to avoid distractions. Her writing is a testament to her obsession with words, as seen in her meticulous editing of The Incendiaries. Despite her nocturnal habits, she dreams of flight or even vampirism, reflecting her playful yet introspective nature.

Her reading habits are diverse, ranging from the Yale Review to Reddit, where she indulges in the quirks of humanity. Kwon's fascination with faith persists, as she revisits St. Augustine’s Confessions, a testament to her introspective and obsessive nature. Her writing, whether fiction or nonfiction, is a continuous journey of self-discovery and expression.