Hemingway's Literary Mentorship: Lessons from a Year with Arnold Samuelson

In 1934, a young Arnold Samuelson embarked on a journey to meet his literary idol, Ernest Hemingway, in Key West. Despite the Great Depression's challenges, Samuelson's determination led him to become Hemingway's only true protégé, spending nearly a year under his tutelage. Hemingway shared invaluable advice, emphasizing that writers should seek to understand rather than judge. He provided Samuelson with a list of essential literary works, including masterpieces by Stephen Crane, Gustave Flaubert, and Leo Tolstoy, which he believed were crucial for any writer's education.

Hemingway's guidance extended beyond reading lists to practical writing advice. He stressed the importance of maintaining a flow in writing, advising Samuelson to stop writing at a high point of interest and let the subconscious mind work overnight. This technique, Hemingway argued, keeps the writing process fresh and engaging. He also highlighted the necessity of rigorous rewriting, sharing that he rewrote 'A Farewell to Arms' fifty times, underscoring that the first draft is merely the beginning.

The conversation also touched on the elusive nature of talent. Hemingway candidly admitted that recognizing one's talent might take years, but persistence is key. He advised against competing with living writers, suggesting instead to measure oneself against the greats of the past. Originality, according to Hemingway, is paramount, and imitation should be avoided at all costs.

Hemingway also warned Samuelson about the challenges of success, noting that initial support often turns to envy as one progresses. The only way to stay on top, he insisted, is by consistently producing quality work. This mentorship, captured in Samuelson's posthumously published manuscript 'With Hemingway: A Year in Key West and Cuba,' offers a rare glimpse into Hemingway's philosophy on writing and life.